aSOC: Speculative Fiction

SF vs. SF: what’s the best way out of the werewolves and wizards section and onto the serious shelves?

Friendship and mentorship doesn’t need to be limited to those one has the chance to meet in a given lifetime. Thoughts recorded in the written word and other forms make it possible to take on teachers, fellows, and adversaries across vast swathes of space and time. A friend in a book, they don’t even have to listen, only speak. These can provide a welcome refuge when alone despite the crowd, adrift in a sea of humanity with an unrelenting feeling of solitude. A special case of being surrounded by an intellectual version of water, water everywhere, but not a drop of it to drink.

The back sections of bookstores have long been a strong attractor for the lonely imaginative ones, the awkward and detached (not quite that far back, you don’t need to know a password or ask the clerk to be let in). For those bookstores still standing, this section will be tucked away in a corner somewhere, maybe hidden on the top floor next to the owner’s apartment or sandwiched between the WC and the fire escape. This is the science fiction section.

Typically sci-fi is, ironically in some ways, lumped in with fantasy. One genre describes what might be possible while the other describes what is definitely impossible. It’s true that much of the so called SF genre (particularly the “indistinguishable from magic” variety) carries little to differentiate itself from your run-of-the-mill swords and sorcery. Despite this, the gold standard hallmark of the genre is an  element of science that, if removed, would diminish the story. That doesn’t mean the plot won’t be character driven or relatable, but it does give the writer the chance to experiment with people in an enhanced diversity of contexts. Within a single genre,  science fiction is tops for the sheer breadth of different stories, societal structures, and characters that are possible.

The stereotypical sci-fi enthusiast I describe above are perhaps a bit lonely and awkward, distracted from the normal world as it is and even a bit antisocial. The negative connotation of the sci-fi nerd as a misanthropic outcast is a convenient stereotype and oversimpification. The mindset and nuance that cause one to seek a realm apart is not so much a type of person but an aspect of human experience that we all dip into from time to time, with often creative and fulfilling results.

So unlike the societal myth of the unwashed legions of basement dwelling fandom, we probably all contain some antisocial nerd deep down inside. It’s a part of life with some valuable rewards in terms of introspection and preparing for an uncertain future. So why do some authors, typically literary types with degrees $\geq$ Masters, try so hard to distance themselves from the genre by insisting their work is “speculative fiction,” mutually exclusive to science fiction. Even not considering the continued migration of sci-fi fandom to the mainstream, claiming the spec-fic label distances your work from its obvious target audience while denigrating a useful and enjoyable mindset. It’s a bit pompous, a bit pretentious, and ultimately meaningless? The books may not qualify as hard sci-fi, but I promise not to be offended that they end up in the same section, with or without the accompanying speculative fiction proselytizing. Remember that speculation comes from the Latin specere, to observe, and is based on coming to conclusions about the world through thought. Science, beginning with observation, continues to rending untruth from plausibility based on experiment and exploration. Both begin with observation, where do your dreams stop?